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Celebrities who want to better their English start the special training to avoid fear in the language. Just like the title “100 hours,” every contestant gets intensive study sessions for about two weeks, seven hours every day. After that, they fly to a foreign country where they can use English in everyday lives.

Welcome to the most embarrassing place on earth, Puberty Camp! There will be a stench of sweat, menstrual spots, pimples and everything that belongs to puberty.

An intimate portrait of Marie Leo, a Sto:lo woman who was adopted into a Líl̓wat family as a baby. Marie’s gentle narrative of her remarkable early childhood demonstrates a deep connection to culture, land and family that continues to endure. This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge.

Elder Marie Leo recounts her experiences going through puberty. Growing up on the Líl̓wat Nation near Mount Currie, B.C., Marie details the important process of preparing for womanhood. The various tasks and duties she undertakes demonstrate a complex, beautiful journey a young Líl̓wat person undergoes as they welcome adulthood and increased responsibilities. This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge.

Ernie Goldberg goes on an adventure days before his Bar Mitzvah.

A woman must choose between having an abortion or giving birth to a deformed child.

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

A shocking film about antipersonnel land mines and a barbarous complacency. Every year hundreds of men, women and children are wounded or killed by antipersonnel land mines. My Child, My Land denounces the use of this hideous weapon. It particularly denounces the complicity of the industrialized nations. If such a horror exists, it is because someone has invented it, and someone else has manufactured it. Can we imagine such barbarity behind the faces of our neighbour? our father? ourselves? This hard-hitting animation film demands that we ask ourselves these questions.